CloudyThere is something worsethan writer's block;it's when the words come inthrough the heat,through the loneliness,or the sheets withwrithing contentment.It's when the words are rightin your headfor paper or someone else,and all I can mutter is thatmy head hurts-and I need to go to sleep.
GaspThere was nolife indanger, butshe pressed herlips to hisand breathedinto himall thesame.
Ignore AdviceWrite ten bad poems.Write one hundredbad poems.Write profoundly.Write and drink.Keep a notebook with you,write in publicand make sure that othersknow that you are, in fact,writing.Write a love poem,then throw it awaybecause all the good oneshave already been read.Ignore advice,write about the decisioninstead of the feeling.Write one sentence-make indents,say to yourself thatthis is it, THIS is IT.Then delete,and tell yourself that again.
PlayHer green circlesopen wide andher pitch blackmouths whisperthat your faceis close to her face-it is close enough,and that shealso said: "onlythe hands", butyou chose toforget, becauseit feels betterthis way andwhat is wrongwith a hedonwho wants to besculptedfrom goldand loud music.
InsectThat manat thecornerdoes notwatch thelight-instead,he smashesa bugwho hadsomewhereto go.
PeakShirtless in bed,on a lonelysaturday night.An impatient manwrites impatientpoetry.
ImpatientIf you talk to anyone who waits at red lights or cares about fashion or owns a gun, they'll know a thing or twoabout all of us; all of humanity. We are all flowers, we are all little universes, we are all the underdog future.And maybe this is completely true, and maybe some girl pierced her ear in the 8th grade bathroom, and maybe youhave sand in your shoes from that visit to the beach last week. What does it matter, is this an absolute?We are all pieces of God, we are all forgetting about Heaven, we are all waiting politely for death to break inthrough the bathroom window. You can ask the stains on the sidewalk, the birds who refus
We Can Make Reams From The TreesIt iswaitingfor newspaperto turncrisp,and yellowthen red.Autumnnovelized,no morestoriesof winteranddying.How aboutwecircle ourfavoritewords,I choseblush andbrunetteandroof,goodnight,twicejust tomakesure.
WildYou could never be strangers againin that void of charged spacebetween the eyes and the air.And the other people, who areless than faces in the crowd.Maybe it was a true dream ofdark times, always walking,you are thief protected by glossthat they could breakif only they knew how.The lion at the zoo couldjump the fence, the wolvescould dig beneath the glass.Safety is a mutual ignorance,and it is something to be remindedthrough wilds of the woods,that she has fangsand so do you.
A Full LifeA man, who hasnever tried to harmanother man,lies awakeand wonders.
Glossi.This is a poemfor lip glossand the pre-teenwho wears itand the old womanwho tried.This is forsparkle and stick.For bodies likecandle wax.For all the boys and girlswho would breath inthose scentswhen the wick turned black.Before their hairturned grey with ash,and their eyes fogged overfrom the naked heat.Before young love diesand is buried in a shoebox,with a little pile of rocksto mark where it was.ii.This is forthe scared little boywho spent all his timesniffing candles.While pretty girlslay on autumn hills,and even the crickets playin major key.With their nosesface down in
Eye ContactHold these thoughtsclosely.You are afrienzed,sex-depraved madman.You are waitingfor the flowersto murder you.You are drugged upon mental chemicals.You are lonely.You are every dark secretandevery act of kindness.You are nothing(important).But do not believe for a secondthat you are a ghost,drunk on freedom.The woman with the strollersees you.The man rubbing his glasseswith his mouth half opensees you.The childand the white-knuckled toysee you,and watch as ifthe whole world were newand a man who could pass throughwalls and skinwas something specialand worth attention.
AgingWhen I walk on the curbsof downtown, I can turn my headand see my reflectionin the glass.In the windows that stand guardagainst the smokeand the rainand the winds.I can see myself,flickering between panesas I move down the streets.I can see myself,wrinklingwiseningwaiting to grow oldand learning how to remember.
Second SphereI found part of me by accidentin a Parisian cardboard boxwith satin rags; purple inkdepicting people and clouds.Tungsten from the wiresof lightbulb husks.He kicked my hand when I pulled him out,my fingers caught up in the blonde.Here there are boys who countthe golden rings of Saturn,and retinas that lick up the sunset.Pictures of Japanese lanterns on the sea-crestand swarms of orange fireflies.Girls who do not dottheir I's with hearts,and wait for iodine skieswith slow, drippingthunder.
Paperback SpineIn stories,the lucky oneshave their lives changedby one little moment-one dandelion puffbetween your palms.And the author stressesthis moment, how tiny,that seemingly unimportantsentence, breakinginto a novel.You have to bealways ready.My eyes have gone dryand my lungs are about to pop,and my tongue is oversaturated-and burning.
Blessed Bedroom (Re-Write)I'll pull the sin out from your body heat with a single whispered wet confession.I'll stroke Him off your blossomed lips; my rosary. You can be my chanted verse.The rest is just onesilentferventsweat-stained prayer,left to sigh among the sheets.Amen.
Dog AdviceI spoke to him as an airplane glided overhead: "I have always had this sort of love/hate relationship with melodramatic phrases and expression. Words and terms that were once powerful, like love and soul and eyes and ocean, have all become weak and horribly cliché as a main result of brutal abuse and overuse. There are other ways to write love poems than basic comparisons and Italian sonnets; it's quite obvious that you can stare into somebody's eyes and figure out what's going through their pretty little head. But there ARE other features of the human anatomy, can't you watch her chest tense up or his shoulder's simply slump and relax b
The Storm Awakening (Re-Write)As chaos was my skin andlightning was your touch,my body shifted like the sandsof a desert at midnight;with sirens far in thedistance. Dunes become linen sheets andthe sun is held in a bulb of glass:wake up, wake up.Some thief in this barren nighthas stolen my lightning,my light.I thought I could keep yousafe inside that jar, like whenwe were children. But no,some other solitary pairof hands and heart are watchingyou flicker and flit and dance:wake up, wake up.My lovely firefly,what stories or warnings are youtrying to convey in yourglowing ballet? Come back home,the night is young but we are not:
AntidoteYellowed wallpaper flowers bloom and peelin the steamy interior shade.The kettle sings a monotone falsetto.The clouds are made of mothsflying towards the sun.I can feel your hands asking meyawning questionsin the way they cradle your porcelain glass.I could find an answer if you want to know whybut for now,pleasejust look at all this light.
Sepia LightHe could be the lead of a silent moviein all its sepia glory. There isdust on the film; and light-that shines hazily through the smoke and jazzof the old world.She smiles while beauty marks pepper the screenand nobody notices. Not even him.There is a woman stroking the theater piano lovingly to hidethe voices floating through the air as silent as ash.He waits with impious attention for old-fashioned linesto cross over the stage and whisper something,something new to him.But anything that could waltz off their tonguesis caught and held by the cigarette filter projector.Left to crackle, as the piano moans under the w
UrchinThe locals called him"urchin" and the touristsdidn't call him anything,or even worse.***The orphan master said thathe was about 14, but ithad been over a year sincehe ran away;you would too.***You can make good moneyat a beachside town bycollecting shells. So every dayat low tide, the urchin wouldscavenge through the pools;looking for something,anything.***It was early summer andall the foreigners (who knew nothingof the ragged boy with spikyblack hair that stalked thebeaches) were agingcomplacently in the sun.***The urchin spotted a fewsand dollars a waysaway. As he went upto take the
Ghost StoryWhat is thison the next horizonholding strong against the wind,it is a figment,it is an oil stain,it is somethingless than a blurand more than a photograph.