Keep The Lights OnKeep the lights on-I don't think I could ever tell you how beautiful you are, so I will just have to show you-oh please let me show you I want you to feel how beautiful you are I want you to knowI will make you know Feel me and let it all out Sigh for me and kiss me andfill your eyes up with longing as I pull my head back to look at you before divingback down to kiss you again I will show you I will show you I will show youYou.are.so.beautiful.
Genuine (In Season)She runs her hand up his thigh,as a child picks cotton-ball dandelionsfrom the stone foundation.Lipstick streaks the soft eveninghorizon; a body heat breezewears the scent of Chanel #5against her chest.Drawing little hearts on her napkin withglossy eyeliner, she's so genuine thatthe clouds blush behind their powder.She runs her hand up his thigh,and they both know what it's liketo feel alive.
Camera ShudderSo manymemoriesrely on blinkingat therightmoment.But yourtreacherouseyelidswanta lifeall theirown;withyoulocked andconfusedinthedark.
In Congress These DaysIn Congressthese days,they now have totie downthe statues sothey won'ttryto escape andstomp their wayto the ocean.
Inside OutA warm summer in prison, late morningorange on gray.A forest held behindbarbed wireleans in, ready to hearthe whispers ofguards and their keys.Smuggled by the windis one low whistle,then another.
Leaving The Trash On The Side Of The RoadOn the days where you can think of nothingand you doubt that you have any talent,remember that your audience ismostly other artists.Most music is heard byother musicians,and this poem will be readby entirely other writersand a few fans,who maybe just want meto spout off aboutsex and death again.Or, in some of my better work,condemn another novelty,but nobody seems to getthe irony.
Drink DeepWe are not yetdead, but thescientists andphilosophers wouldhave you believethat we are dying.We have rehearsedthe methods of ourcreation.We make musesfrom nature andfrom each other.We assume, like thecanyon's high-water mark,that the floodswill not come.Who am Ito say thatthis is false,that we havelittle particlesthat hold us apart-(we are ever so slightlylevitating off the groundand from each other.)And the streets protestby rehearsing the methodsof our end.When our bloodturns to alcoholand the first thingthey see of usis the whiteof our bones.
Lost In Winter (WIP)Looking for something to dobetween birth and thebig surprise.Could I just stay warm with you?Said the sun to thefrozen sky.I won't let you grow cold too.So they stayed distant:lightyears wide.
HeldWhen you took me from my petaland cupped my frailtybetween your hands,it was like my chrysalis was backand I am changing again.It was just as warm as Ipaintbrushed your palmswith my monarch wings.You opened up your smallest fingers,and I saw five hundred facetsof your child's eye.I saw every angle of your innocence,I saw the sheen on your corneaswhen you flitted those threadbare wings.I saw the shoebox with cornerslike a prism.And your call was so loudwhen you carried me home.And I witnessedyour five hundred pins,and five hundred books.With five hundred fingers youpinched me out,and held me to bru
Search PartyMost people say thatI probably won't findthe one. There arejust too manypeople, too manyproblems.If you aren't theone,that's fine,I don't blame you.But please,just don't beone of them.
Prismatic"The sky is gray, and so arethe cities and the streets.These people are grayas well, and all they see andall they are is gray, gray, gray."He muttered this and more to himselfwhile picking his fingernails,but I was listeningon the curb with him.Listening to the tectonicengine rumbles; and theheat shimmering off the six-lane roadlike melted glass.He spoke my language but thatdidn't make itany easier to understand.When I lifted my head fromthe sidewalk, there were young couplespainting the town red. There werevandal artists in rainbow packsmarking in blue and yellowas an alcoholic throws back her hair
CeruleanEven the waves had been tamed,and nature lost its classical romance,when the waters asked permissionto darken and hold the sands.
On TimeThe more you think,the less you have.The more you have,the less you think.Thinkfeelact;we don't have time for everything.
The BeachThis isn't much,but whenever someone tells meto put a shell around my ear,I hear your breathingwith my head restingon your warmth.I know it's justthe blood rushingaround my head.I know, it's just...the sun in your hairand the salt and the sand.
GaspThere was nolife indanger, butshe pressed herlips to hisand breathedinto himall thesame.
BoxcutterWe arein her hardwood apartment,that we boughtbecause of the neighborsand the windowsthat light upthe dust on the floor.She is kneelingin front ofcardboard boxes,sliding the knifedown the sideswith a paper sound.And I am staringinto the empty rooms.If she pushedthat boxcutterinto my lungsthe air would rush outand say:When you look at meand bite your lip,I see brown hairand darker eyes.And I would let her tooif it didn'tmake such a messfor the dustand the neighborsand the hardwood floor.
SaltwaterTo wake up in a single's bed;to drink the ocean from a cup.
AgingWhen I walk on the curbsof downtown, I can turn my headand see my reflectionin the glass.In the windows that stand guardagainst the smokeand the rainand the winds.I can see myself,flickering between panesas I move down the streets.I can see myself,wrinklingwiseningwaiting to grow oldand learning how to remember.
(nothing)Sitting on this bus,I know that I am distinctly separate.I am the absence of this bus,and the other passengersas well.There is some sortof truth to this;some sort of credencethat I can'tplace my hands on.(I am not the paper, only the foldsmade by my fingers.I am not the blankets,only the indent left behind.I am not the rain,only the dry spotsmarking the pavement.)Even when I'm standing still,I am not the air.(I can only hold it in.)
Glossi.This is a poemfor lip glossand the pre-teenwho wears itand the old womanwho tried.This is forsparkle and stick.For bodies likecandle wax.For all the boys and girlswho would breath inthose scentswhen the wick turned black.Before their hairturned grey with ash,and their eyes fogged overfrom the naked heat.Before young love diesand is buried in a shoebox,with a little pile of rocksto mark where it was.ii.This is forthe scared little boywho spent all his timesniffing candles.While pretty girlslay on autumn hills,and even the crickets playin major key.With their nosesface down in
ShhhhThey hold handsfrom twosinglebeds,a mile apart.Isn't thisjust asad story?I'm notso sureabout that.